Widor was born in Lyon, to a family of organ builders, and initially studied music there with his father,...

In January 1870, with the combined lobbying of Cavaillé-Coll, Saint-Saëns, and Charles Gounod, the...

In 1890, upon the death of César Franck, Widor succeeded him as organ professor at the Paris Conservatoire. The class he inherited was initially stunned by...

Among the leading organ recitalists of his time, Widor visited in this capacity many different nations,...

Well known as a man of great culture and learning, Widor was made a chevalier of the Légion d'Honneur in 1892, named to the Institut...

In 1921, Widor founded the American Conservatory at Fontainebleau with Francis-Louis Casadesus. He was the Director until 1934, when he was succeeded by Maurice Ravel. His close friend,...

At the age of 76, Widor married Mathilde de Montesquiou-Fézensac on 26 April 1920 at Charchigné. The 36-year-old...

On 31 December 1933, Widor resigned his position at Saint-Sulpice. Three years later he suffered a stroke which paralysed the right side of his body, although he remained mentally alert to the last. He died at his home in...

Widor wrote music for a wide variety of instruments and ensembles (some of his songs for voice and piano are especially notable) and composed four operas and a ballet, but only his works for organ...

It seems unusual to assign the term "symphony" to a work written for one instrument. However, Widor was at the forefront of a revival in French organ music, which had sunk to its nadir during...

Widor's symphonies can be divided into three groups. The first four symphonies comprise Op. 13 (1872)...

With the Opus 42 symphonies Widor shows his mastery and refinement of contrapuntal technique while exploring to the fullest the capabilities of the Cavaillé-Coll organs for which these...

The ninth and tenth symphonies, respectively termed "Gothique" (Op. 70, of 1895) and "Romane" (Op. 73, of 1900), are much more...

Widor's best-known single piece for the organ is the final movement, Toccata, from his Symphony for Organ No. 5, which is...

Over his career Widor returned again and again to edit his earlier music, even after publication. His biographer John Near reports: "Ultimately, it was...


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